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Since 2015 I have been undertaken multiple experimental process to create work in collaboration with communities of people and ephemeral environmental conditions such as clouds, fog, water and bushfire smoke. Through these interactions, I explore how the performative act of projecting images onto atmospheric conditions enables the fundamental elements of digital imagery, such as pixels, to blend with weather elements, such as water droplets, to create images that blur the boundaries between digital media and the environment. This approach goes beyond the act of overlaying images onto a surface, instead creating a canvas of atmospheric potential.

 

In this practice, environmental conditions become active participants in meaning making,  bringing together art, environment, and communities of people to contribute to a ‘new materialist aesthetic’ characterised by process, relationship, politics, ethics and embededness. These projects have toured nationally and internationally including an exhibition at the National Museum of Australia. 

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Haunting
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Shadows and Consequences
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